DP-006

SHURE SM57

DRIVERACK 260 System management

There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx® DriveRack® products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues. The 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS™).

25%

AFS 224 / Feed back

25%

DBX 1231 GRAPHIC EQUALIZER

The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.

13%

DBX DRIVE RACK PA+ System management

The best just got even better! The DriveRack PA, far and away the world's most popular loud speaker management system has now become the DriveRack PA+; the best has indeed gotten better. Showcasing all the features that users around the world have come to expect, including easy setup, rock-solid reliability and unparalleled sound quality, this version of DriveRack has gone to great lengths to earn its "plus." With more settings, more control and enhanced circuitry, the sound you seek is right at your fingertips.

15%

DBX DRIVE RACK PA2 System management

The DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx’s proprietary AutoEQ™ and AFS™ algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.

20%

DIGITAL POCKET STUDIO DP-006

DP-006

6-track Digital Pocketstudio

Add the DP-006 to your production setup to infinitely expand the scope of your music production workflow. This musical sketch pad is the perfect way to easily accumulate song ideas and melody lines, capturing your inspiration with high audio quality as soon as it pops into your head. The DP-006 is equipped with two 1/4-inch inputs for external dynamic microphones, acoustic/electric guitar, bass, or line-level sources like synthesizers and drum machines. Two tracks can be recorded simultaneously, with up to six-track simultaneous playback.

17%

DIGITAL POCKET STUDIO DP-008EX

17%

CD-RW 900MK11 CD-RECORDER

15%

CD-RW 901MK11 CD-RECORDER

17%

LINEAR PCM RECORDER DR-70D

13%

LINEAR PCM RECORDER DR-701D

6 maximum simultaneous recording tracks
Recording formats: 16/24-bit, 44.1/48/96/192kHz (WAV/BWF) (192kHz only for two-track recording)
Clock and record start/stop can be synchronized with a camera using the HDMI port
DR-701D audio signal can be output to an external camera or recorder from the HDMI OUT or line output
Cascade function using HDMI connections allows multiple DR-701D transport and monitoring operations
SMPTE Timecode can be input through the TC IN connector to add recording start times to files
Timecode generator (RTC) allows recording start times to be added to files even when there is no timecode input
Transport and SLATE buttons made of rubber suppress noise during operation

20%

DR-680 MK2 / Field Mixer

Compatible file formats include linear PCM WAV format, BWF (Broadcast Wave Format) that is used at broadcasting stations, and also MP3 format. As such, the user can record over long periods of time using MP3 multi-channel recording by setting multiple microphones, which is useful for purposes such as recording meetings. Furthermore, the monitor mix function allows stereo monitoring with level and pan settings. This monitor-mix can be simultaneously recorded onto stereo tracks, independent to 6-tracks. Furthermore, the DR-680MKII is capable of 2-track recording at 24bit/192kHz and can be used as a portable stereo master recorder.

25%

TASCAM DIGITAL PORTAL STUDIO DP-24SD

The TASCAM DP-24SD Digital Portastudio records 24 tracks to solid-state drive, with up to eight track simultaneous recording via XLR and 1/4" combo jacks. Input processing includes compression and limiting, as well as guitar amp simulation and multi-effects for use with the instrument-level input. The color display and channel strip knobs make mixing fast and creative, and the included 4GB SD card can be replaced with up to 32GB SDHC media or swapped with other cards between projects for up to 50 hours of music.